Art is everywhere, Nambucca

Art is everywhere, Nambucca

04 27_Nambucca art_Amor

04 27_Nambucca art_Anise

Ellen Dissanayake argues that the arts:

  • appear to be universal. No one has found a culture that lacks them.
  • they consume a large portion of available resources. Among the Owerri in Nigeria, for example, the artists who build and paint ceremonial mbari houses are exempted for up to two years from the workload normally expected of healthy adults . . . and
04 27_Nambucca art_Ian_Moule
Ian Moule is a well known local artist, and the only known artist in these hundred or so art works that I know of. But some of these pieces on the concrete blocks forming the breakwall are wonderful.
  • give pleasure. Our internal motivational systems reward us for making and appreciating the arts the same way they reward us for having sex, spending time with friends, and eating nutritious food: The experiences feel good.
  • and that young children engage in the arts almost spontaneously. With only gentle encouragement, children will sing, move to music, make believe, scribble, and play with words. Dissanayake believes that natural selection included the arts as a standard component of human behaviour.

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Art reflects cognitive fluidity and opportunity. 04 27_Nambucca art_sacred

Steven Mithen locates the beginnings of human consciousness in interactions flowing among thought, language, behaviour and material culture. He argues that ‘cognitive fluidity‘ (mapping across domains and making connections) is a necessary precondition for culture (technology, science, art, and religion).

The developmental plasticity of the brain enables language and culture to literally reshape brain circuits. We now know brain cells can grow – that our brains are constantly changing anatomically has been documented.

A guest of this year’s Bellingen Readers and Writers festival (June long weekend) David Roland has written about the brain’s neuroplasticity. He is a psychologist trained in neuropsychological assessment, and a founder of the Australian branch of the Compassionate Mind Australia. His book, ‘How I Rescued My Brain: A psychologist’s remarkable recovery from stroke and trauma’, is a memoir about his use of neuroplasticity to heal his own brain.

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In the background is the Nambucca River and Yarrahapinni pronounced Yarriabini in Gumbaynggirr – Uncle Gary Williams describes how the three peaks of Yarriabini came to exist here. He too is a guest of the Bellingen Readers and Writers festival.

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